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"L'Italiana in Algeri" Rossini
"...Excellent Elvira by Brigitte Lafon, with amazing treble she appears here as an irresistibly funny actress"
Opéra International

Concert Salle Pleyel
(Tribute to Samson François)

"… Brigitte Lafon, like an sunbeam in the famous aria "Batti, batti… " of Zerlina."
Jacques Lonchampt – Le Monde 1985

"The Bat" J.Strauss
at the Théâtre des Champs-Élysées

"… With drolery and musical quality, ease and virtuosity, Brigitte Lafon is as spruce as one could wish in the part of Adele with a south western Toulouse accent… "
Renaud Machart – Le Monde

Recital at the Palais Royal in front of the President of the Republic (Mr. François Mitterand)
«…Grétry or Dalayrac whose love songs gave to Miss Lafon the opportunity to develop a voice whose grace vies with force. Texts said as well as sung, a modulated voice freed from the slightest vibrato… such a rapture that the exquisite XVIII th century of the privileged classes was brought back to life…»
Philippe Boucher -Le Monde

The New Israeli Opera – Werther
«Brigitte Lafon is the only soloist who is well remembered»
Hanoch Ron - Yedlot Aharonot
«Soprano Brigitte Lafon as Sophie was excellent…»
Ben Ami Feingold – Hazofe
"The one and only sunbeam in this production is Brigitte Lafon whose Sophie brings a breeze of fresh spring aroma to the stage within the overall sombreness or the production."
Elyakim Yaron – Maariv

Lieder de Fanny Mendelssohn :
recording in first world of Lieder of Fanny Mendelssohn
"Especially memorable in this respect is Lafon's treatment of the early "Ferne", from a Tieck poem evoking the "distant glow of love"and the memory of past happiness... her delivery of the line "Warum ertödest mich?"is chillingly on the mark ; Lafon utters the word "ertödest"as if her whole being depended on it"
James Parsons U.S.A

“The Child and the Magic spells” Ravel.
Royal opera of Wallonia. Liege
“… One of the major assets of this spectacle rests on Brigitte Lafon, sulky and disarming scoundrel, truer than natural, with the ideal voice.”

Festival of Besancon Orchestra of Lyon
“… Asia, first of the three parts of Scheherazade by Ravel… the soloist Brigitte Lafon superb with the limpidity of her timbre, the perfection of her style and her exemplary articulation…” “As for Brigitte Lafon, she amply deserves the ladies’ award (Prix Orange) for her grace and beauty”
Jacques Doucelin

“Gustav III or the Masked Ball” of Auber
International Opera

«…e la migliora in campo mi è parsa la simpatica Brigitte Lafon come Oscar.»

French Cultural Centers of Rabat and Casablanca, Morocco
“… Brigitte Lafon… suave pianissimi and superb low pitched sounds… cultivates the melody as a jewel-maker can engrave the finest gold. Fauré, Gounod seem to have composed for her and suit her to perfection. Brigitte Lafon and Jeff Cohen : a perfect symbiosis! …”
The Morning

“Romeo and Juliette” Gounod. Grand-Theatre of Limoges
“… But it is with the appearances of the soprano Brigitte Lafon that the work will be veritably transcended. Although she was taking over the part, she was an ideal Juliette in the unique dimension which she managed to give to her character on the dramatic and vocal level.”
Jean Guy - le Populaire du Centre

«Il Barbiere di Siviglia» Rossini
“… Enthusiastic, Brigitte Lafon who enchants us as Rosine… sovereign in the vocal control as well as in the scenic play…”
Grand Théâtre of Tours -

“The Legend of Joseph in Egypt” of Méhul. Renaud-Barrault theatre
“Brigitte Lafon, angelical and tender Benjamin…”
Jacques Lonchampt – Le Monde

“The Requiem of Fauré resurrected”
“… And the magic moment of the evening : the performance of Brigitte Lafon in the “Pie Jesu”. An angel passed under the vaults, a true emotion ran through the public seized by the so crystalline voice of the famous soprano, by the purity of her timbre and her sense of spiritual rise.”
Roland Spenlé La République du Centre

“Le petit Duc” of Lecocq
“… One is thus very close to the Chérubin of the “Mariage de Figaro”, and even to the Octavian of the “Knight with the Rose”, which allows the tasty ambivalence to which Brigitte Lafon adapts extremely well. Besides her clear soprano voice with a perfect musical quality is worked in this direction.”
Opera of Metz

“An exceptional Concert for privileged music lovers”
Orchestral ensemble of the Centre
“a true ovation greeted the remarkable performance of Brigitte Lafon who interpreted the “Exultate Jubilate” of Mozart with masterliness… the fascination begins with the very first notes … the beauty of her voice is moving… her hot timbre, coloured, full, is adapted to Fauré as well as to Mozart… a refined sensitivity which touches you deeply…”
La République du Centre

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